The year a FL told the ML that making sure she enjoys, uh, completion in their physical relationship is worth contractualizing because it’s just that important (Law Cafe).
The year a character played by a non-ethic Korean actor was actually given a real personality and great lines (Gaus Electronics).
The year that even the utterly delightful and charismatic SIG wasn’t enough to make a bad drama watchable (Cafe Min).
The year that a character’s wardrobe was more interesting than the drama itself (Lee Joon’s character in Bulgasal) or so appalling that it dragged the drama down (Go-reum’s white cowboy boots and mom jeans in Love is for Suckers).
And finally, this was the year when, for the very first time (for me, at least), the Hong sisters showed they can write a drama that stays addictive all the way through (Alchemy of Souls, Part I–I’m also confident I’ll love Part II).
[Drama chat] One thing that dramas did in 2022 that you loved
Source: Buzz Pinay Daily
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